本教程由Digital Tutors出品，讲解演示使用ZBrush和TopoGun把一个高精度的女性英雄角色转化为低精度的游戏模型。像ZBrush这件的雕刻软件非常擅长于创建模型细节、纹理颜色的制作，但对于绑定、动画及把这些模型整合和游戏引擎中，我们必须把它转成低模。TopoGun是一个可以非常直观地进行拓扑的工具，并且它可以把网格细节映射成贴图，这样我们就可以用一个低模来表现出高模的细节。流程上是先整理导出ZBrush雕刻的高模，放到TopoGun里作为参考模型，使用TopoGun的各种工具一步步在高模上画出低模，这些工具都会进行讲解。拓扑完成后，再为新模型展UV然后生成细节和颜色信息贴图，完成把高模转化为游戏低模的制作。
鬼泣角色雕刻教程教程收集的，希望大家喜欢
译文: 在构建时的人类角色，皮肤质量可以发挥中定义的字符并将添加到其现实主义的重要作用。在本课程中我们将复习几个工具和技术，您可以使用在你的角色上创建皮肤的影响。我们将谈论使用阿尔法应用于模型的详细信息。我们也会看看在快速整体应用程序中的默认皮肤肿块以及可以程序或创建的自定义模式由艺术家使用噪音。我们也会谈论具体领域和添加汇报给皮肤补充字符雕刻皱纹。最后，你 ' ll 有大量的选项为在适当的级别，使用大量的技术添加皮肤细节。 原文: When building human characters, the skin quality can play an important role in defining the character and adding to its realism. In this course we will go over several tools and techniques you can use to create the effect of skin on your characters. We will talk about using alphas to apply detail to the models. We will also look at the use of Noise in quick overall applications of default skin bump as well as custom patterns that can be created procedurally or by the artist. We will also talk about sculpting wrinkles in specific areas and adding irregularities to the skin to add character. In the end, you'll have a lot of options for adding skin detail at an appropriate level using a number of techniques.
译文: 人类的嘴是人体最灵活、 最富有表现力的部分之一。每一个 ' s 嘴是不同。所以当我们是建筑和雕刻嘴里，我们的性格，我们想要创建相同类型的个性，同时仍然秉承一些常见的结构元素。在本课程中我们将复习那些基本的嘴巴线条和形状雕刻人嘴时需要注意的。我们 ' ll 开始使用 ZBrush 来阻挡嘴唇形状非常使用快速插入的管和 DynaMesh。我们 ' ll 开始重建与清洁拓扑网格之前定义的嘴唇像朱红边境地区。我们 ' ll 也谈详细说明几何，' s 极附近在一起，喜欢的嘴唇和周边地区建设技术。我们 ' ll 完成了通过向嘴唇添加最后的细节。最后，你 ' ll 有更好地了解结构的嘴和你 ' 会更方便地创建和雕刻你的人物的嘴。 原文: The human mouth is one of the most flexible and expressive parts of the human body. And every one's mouth is different. So when we are building and sculpting the mouths of our characters, we want to create the same type of individuality while still adhering to some common structural elements. In this course we will go over those basic mouth lines and shapes to watch for when sculpting a human mouth. We'll start by using ZBrush to block out the lip shapes very quickly using inserted tubes and DynaMesh. We'll begin to define areas of the lips like the Vermilion Border before rebuilding the mesh with cleaner topology. We'll also talk about detailing geometry that's extremely close together, like the lips, and techniques for building up the surrounding areas. We'll finish up by adding the final detail to the lips. In the end, you'll have a better understanding of the structure of the mouth and you'll be much more comfortable creating and sculpting mouths for your human characters.
译文: 耳朵是那些对人体模型的外观是非常重要的事情之一。但这些重要零件的头部有时掩盖我们匆忙中把工作上是重要的或有趣，或冷却模型的各个部分。我们有些人也可能会回避创造现实的耳朵，因为他们避风港 ' t 花时间来审查在戏剧在此课程中我们将复习那些基地耳结构-结构元素使耳朵看起来像一只耳朵。我们 ' ll 然后盖在 ZBrush 中一些快速简便方式来阻挡这些结构，使用 DynaMesh 并插入管得到很好定义的外观。我们 ' ll 学会 remesh 耳朵，然后使用各种雕刻刷完耳朵。最后，你 ' ll 有更好地了解结构的耳朵和你 ' 会更方便地创建和雕刻你的人物的耳朵。 原文: Ears are one of those things that are very important to the look of a human model. But these vital parts of the head can sometimes be glossed over in our haste to work on the important, or interesting, or cool parts of the model. Some of us may also shy away from creating realistic ears because they haven't taken the time to examine the structures in play In this course we will go over those base ear structures- the elements that make the ear look like an ear. We'll then cover some quick and easy ways in ZBrush to block out those structures, using DynaMesh and inserting tubes to get a really well defined look. We'll learn to remesh the ear and then use a variety of sculpting brushes to finish out the ear. In the end, you'll have a much better understanding of the structure of the ear and you'll be much more comfortable creating and sculpting ears for your human characters.
