01_介绍和项目概述(01_Introduction_and_project_overview)

02_导致建筑标志的设计过程(02_Design_process_leading_up_to_building_the_logo)

03_创建我们的 人物 的墨水的线工作(03_Creating_inked_line_work_for_our_character)

04_转换墨水的线工作矢量形状(04_Converting_inked_line_work_to_vector_shapes)

05_配售的设计元素(05_Placing_design_elements)

06_创建树树桩形状(06_Creating_the_tree_stump_shape)

07_将平面颜色应用到我们的 人物(07_Applying_flat_color_to_our_character)

08_在 人物 围兜上创建模式(08_Creating_a_pattern_on_the_characters_bib)

09_开始添加阴影到我们的 人物(09_Beginning_to_add_shadows_to_our_character)

10_将阴影添加到头和手臂(10_Adding_shadows_to_the_head_and_arm)

11_将阴影添加到颈部和手臂(11_Adding_shadows_to_the_neck_and_arm)

12_将阴影添加到脸颊和耳朵(12_Adding_shadows_to_the_cheeks_and_ears)

13_将阴影添加到鼻子和手(13_Adding_shadows_to_the_nose_and_hand)

14_将阴影添加到叉与手(14_Adding_shadows_to_the_hand_and_fork)

15_将阴影添加到另一只手(15_Adding_shadows_to_the_other_hand)

16_将阴影添加到牙齿和围兜(16_Adding_shadows_to_the_teeth_and_bib)

17_向 人物 添加最后的阴影(17_Adding_final_shadows_to_the_character)

18_向 人物 头中添加高光(18_Adding_highlights_to_the_characters_head)

19_向耳朵中添加高光,鼻子和牙齿(19_Adding_highlights_to_the_ears,nose_and_teeth)

20_向 人物 武器添加高光(20_Adding_highlights_to_the_characters_arms)

21_添加高光的手和叉(21_Adding_highlights_to_the_hands_and_fork)

22_将颜色添加到类型的领域(22_Adding_color_to_the_areas_of_type)

23_开始添加钉到一些字形(23_Beginning_to_add_nails_to_some_letterforms)

24_添加一些最后的润色(24_Adding_some_finishing_touches)

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  • 其他 : Digital Tutors
  • 文件总数:24
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  • 教程简介:

    译文: 在这一系列的教训我们将注重融入一个 Illustrator 中的标志字符。我们 ' ll 开始通过学习有关导致建设我们的标志设计过程中执行的步骤。这些步骤包括去有点了解我们的客户,然后收集一些研究和参考材料的项目。接下来,我们 ' 将讨论我们的想法在快速缩览图和草图的形式输出。从那里开始打造我们的标志,看几种不同的方法,我们可以创建签署线工作为我们的品格。我们 ' ll 然后发送这条线到插画工作并将它转换成可用的矢量格式。接下来,我们 ' ll 安排的所有元素创建它们之间的关系我们组成。我们 ' ll 然后开始添加到我们的设计,花费大量的时间添加颜色阴影和高光我们的品格。最后,我们 ' ll 精细调整标志通过提供给我们的客户之前调整一些潜在的问题领域。 原文: In this series of lessons we will focus on integrating a character into a logo in Illustrator. We'll begin by learning about the steps in the design process that lead up to building our logo. These steps include getting to know a little bit about our client, then gathering some research and reference materials for the project. Next, we'll discuss outputting our ideas in the form of quick thumbnails and sketches. From there start to build our logo by looking at a couple different ways that we can create inked line work for our character. We'll then send this line work over to illustrator and convert it into a usable vector format. Next, we'll arrange all of the elements of our composition creating a relationship between them. We'll then begin adding color to our design spending a good deal of time adding shadows and highlights to our character. Finally, we'll fine tune the logo by adjusting some potential problems areas before presenting it to our client.